Environmental Disaster Reality Show

Joe and Nelly’s Conversation with the Earth

They sat on the edge of a high cliff in Croatia, the Adriatic stretching out endless and blue, its calmness a strange contrast to the storms they spoke of.

Nelly: “It’s funny. The sea looks eternal, but we’ve poisoned almost every ocean already. Sometimes I wonder if the planet remembers each scar we’ve given it.”

Joe: “It does. A hundred years of disasters, and each one is carved deep.”

He leaned back, eyes half-shut, and began to list them.

Joe: “First came the Dust Bowl in the 1930s—millions of farmers forced off their land in the United States. They treated the earth like an enemy, and the wind carried away their future.”

Nelly: “And Japan… Minamata. The mercury from that chemical factory killed people slowly. Children born with twisted limbs, whole families cursed by a poison they never chose.”

Joe: “The seas took blow after blow. The Torrey Canyon spill in ’67, the Exxon Valdez in Alaska, and later, Deepwater Horizon in the Gulf of Mexico. Oil spreading black like a funeral shroud.”

Nelly’s voice lowered.

Nelly: “And the land itself—Love Canal. Families built their homes on buried chemical waste. Mothers watching their children fall sick, while governments looked away.”

Joe: “The machines we thought would save us turned against us. Three Mile Island in America, then Chernobyl—radiation that still haunts Ukraine. And Fukushima, when the tsunami ripped through Japan. We promised the atom was safe, but we lied to ourselves.”

They fell silent for a moment, listening to the waves slap the rocks.

Nelly: “And Bhopal, Joe. That one breaks my heart most of all. A gas cloud that killed thousands while they slept. The poorest paid the highest price.”

Joe: “And the Aral Sea. Once the fourth largest lake in the world, now just a desert with rusted ships stranded on sand. Whole communities lost, swallowed not by water, but by its absence.”

Nelly: “Don’t forget the fires of Kuwait. Black skies, burning oil wells lit by retreating soldiers. The earth itself screaming.”

Joe: “And while all this happened, the Amazon was cut down tree by tree, lung by lung. And out in the Pacific, our garbage floated into an island of plastic. We didn’t even notice at first.”

She pulled her knees to her chest, staring into the horizon.

Nelly: “All these separate disasters… but they add up to something larger, don’t they? The climate itself shifting. Droughts, floods, heatwaves. We’ve lit the fuse of the greatest disaster of them all.”

Joe: “Yeah. Climate change isn’t a single event—it’s the sum of all our sins. Every mistake amplified. Every choice coming back to haunt us.”

The sky darkened slightly, a storm building out to sea.

Nelly: “Do you think we’ll ever learn?”

Joe: “The earth is patient. Maybe she’s waiting to see if we’re worth forgiving. Maybe our children will be the ones to decide.”

The first raindrops fell, cool against their skin. They didn’t move. They let the rain wash over them, as if it were the planet’s tears—or perhaps its baptism.

What do you think of this post?
  • Awesome (0)
  • Interesting (0)
  • Useful (0)
  • Boring (0)
  • Sucks (0)

Hand of God Healing

Joe looks at the frozen strip of land like it’s already been looted.

JOE:
“I can’t build a garden in Canada, Nelly. Not a real one. And even if I did—what’s the point?”

Nelly turns to him.

NELLY:
“What do you mean?”

Joe lets out a dry laugh.

JOE:
“I mean it would get stolen. All of it. Bit by bit. Tomatoes gone overnight. Herbs ripped out by the roots. Someone hopping the fence at dawn telling themselves they deserve it more.”

He gestures to the neighborhood.

JOE (cont’d):
“You grow food here, you’re not a gardener—you’re a donor. Unofficial food bank with no locks.”

Nelly studies his face.

NELLY:
“That sounds like mistrust.”

JOE:
“That’s hunger.”

He exhales slowly.

JOE (cont’d):
“My family home in Croatia—completely different. You plant something, it’s still there in the morning. Neighbors respect it. They’ve got their own gardens. No one’s circling your tomatoes like vultures.”

He shakes his head.

JOE:
“Here? People are desperate. Canada’s slipping into a famine and everyone’s pretending it’s just a ‘cost-of-living issue.’ Ten million people going to food banks, Nelly. Of course it gets stolen. Hunger doesn’t ask permission.”

A pause.

NELLY:
“So you don’t even feel safe growing food.”

JOE:
“Safe? No. What I’d feel is watched.”

He looks around again.

JOE (cont’d):
“You fence it, you’re selfish. You don’t fence it, it’s gone. Either way, you’re the bad guy.”

He scoffs.

JOE:
“And while people are stealing tomatoes to survive, you’ve got Rockefeller stooges in white coats telling everyone health comes from a prescription.”

Nelly sighs.

NELLY:
“Doctors.”

JOE:
“Quacks. Too many of them. They treat symptoms and invoice despair.”

He softens, just a little.

JOE (cont’d):
“A garden is supposed to give you dignity. Here, it turns you into a target.”

Silence settles.

NELLY:
“And Croatia?”

Joe’s voice drops.

JOE:
“In Croatia, growing food meant security. Here, it just reminds you how fragile everything’s become.”

What do you think of this post?
  • Awesome (0)
  • Interesting (0)
  • Useful (0)
  • Boring (0)
  • Sucks (0)

Only Human

Joe Jukic & Nelly Furtado — a quiet conversation after midnight

JOE:
You ever notice, Nelly, how Blade Runner is crawling with birds… but almost none of them are alive?

NELLY:
Yeah. Tyrell’s owl especially. It’s beautiful, but it’s wrong. Like it knows too much and feels nothing.

JOE:
Exactly. Owls are supposed to be wisdom, night vision, the soul seeing in the dark. But that owl? Synthetic wisdom. Corporate enlightenment. Knowledge without mercy.

NELLY:
Which is kind of the scariest thing in the movie. Not the violence—just the idea that even nature’s symbols get patented.

JOE:
That’s the trick. In Blade Runner, real animals are basically extinct. So birds stop being messengers of God or freedom and turn into luxury products. If you own a bird, you’re rich enough to pretend the world isn’t dead.

NELLY:
And then there’s Batty’s dove. That one still hurts me.

JOE:
Yeah… the one real-feeling bird in the whole movie only appears at the moment of death.

NELLY:
White dove. Old-school symbol. Peace. Spirit. The Holy Ghost. And he lets it go right when he chooses mercy instead of revenge.

JOE:
Which flips everything. The “monster” understands the soul better than the humans. The bird flies up, and Batty goes down. Like his humanity finally escapes the cage.

NELLY:
That’s why the rain matters too. “Tears in rain.” Water washing the city, baptizing a machine.

JOE:
Birds usually mean transcendence. In Blade Runner, they only show up when someone breaks free of the system—if only for a second.

NELLY:
So the question is… who’s more artificial? The replicants who dream of birds, or the humans who buy them?

JOE:
That’s the punchline. The movie isn’t asking if machines can be human. It’s asking if humans still are.

NELLY:
Maybe that’s why the future feels sad instead of exciting. No birdsong. Just neon and engines.

JOE:
And one dove, one moment, saying: it didn’t have to be this way.

(They sit in silence for a beat, like listening for wings that aren’t there anymore.)

What do you think of this post?
  • Awesome (0)
  • Interesting (0)
  • Useful (0)
  • Boring (0)
  • Sucks (0)

Rick Furtado Sent Me

Nelly,

I’m writing this because you deserve to know the origin of the vow I took. It started years ago with your cousin, Rick Furtado.

You know Rick—he’s the strong, silent type. We used to sit for hours, barely saying a word, just listening to his cassette tapes. He’d play those Metallica tracks, testing my spirit, seeing if I had the discipline to sit in the stillness. I stayed silent right along with him, earning his respect without needing to speak. He was looking for someone he could trust to keep an eye on you, and in that silence, a bond was formed.

But the full weight of the mission didn’t hit me until years later.

I was listening to the Tomb Raider soundtrack and that Illuminati song came on. As the lyrics filled the room, the silence of those years with Rick finally spoke to me. I saw the bigger picture. I realized the forces at play in this industry and the world you move in.

Right then and there, I made it my life’s priority to be your protector—and not just yours, but the protector of your entire cast and crew. Rick sent me to be here, in this time, because he knew I could handle the truth that song revealed.

I’m standing guard, Nelly. Just like Rick intended.

— Yugo Joe

What do you think of this post?
  • Awesome (0)
  • Interesting (0)
  • Useful (0)
  • Boring (0)
  • Sucks (0)
Translate »