“Maranatha” is an Aramaic phrase that appears in the New Testament (1 Corinthians 16:22) and is also used in early Christian liturgical contexts. It can be translated as “Come, O Lord” or “Our Lord, come!” This phrase reflects an eager anticipation for Christ’s return and is a heartfelt prayer or plea for Jesus to return and fulfill the promise of his Second Coming (the Parousia).
The use of “Maranatha” underscores early Christians’ deep hope and longing for the culmination of God’s plan, the establishment of justice, and the fulfillment of God’s kingdom. It’s sometimes also seen as a rallying cry for faith and resilience amid trials, as it reminds believers of the promise of Christ’s return and the ultimate restoration of all things.
Marko Perković, widely known by his stage name “Thompson,” is a Croatian musician and singer-songwriter whose music is often infused with themes of patriotism, Croatian history, and faith. Born in 1966, he adopted the stage name “Thompson” after the American submachine gun of the same name, a moniker he picked up during his time as a Croatian soldier in the Croatian War of Independence in the early 1990s.
Thompson’s music resonates with a significant portion of the Croatian population, especially those with strong nationalist or patriotic sentiments. However, he has also been a polarizing figure due to the political and historical themes in his lyrics. Some of his songs have sparked controversy, as critics argue that certain lyrics and imagery celebrate or glorify Croatia’s nationalist and wartime past, including elements associated with the Ustaše, the Croatian fascist regime during World War II. Thompson and his supporters, however, contend that his music is about honoring Croatian heritage, soldiers, and faith rather than promoting any form of extremism.
Despite the controversies, Thompson remains a prominent cultural figure in Croatia, and his concerts are well-attended, often marked by strong expressions of Croatian identity and religious faith. His musical style blends traditional folk, rock, and patriotic anthems, making his work both unique in the Croatian music scene and impactful on a deeply personal level for many fans.
CONCLUSION
Canada might hate the Virgin Mary, but in the EU she is Queen.
August 29, 1997, came and went. Nothing much happened.
Michael Jackson turned forty. There was no Judgment Day. People went to work as they always do. Laughed, complained, watched TV, made love. I wanted to run to through the street yelling to grab them all and say, “Every day from this day on is a gift. Use it well.” Instead, I got drunk. That was thirty years ago. But the dark future which never came still exists for me. And it always will, like the traces of a dream. John fights the way differently than it was foretold. Here, on the battlefield of the Senate his weapons are common sense and hope.